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This can be very useful for later adjustments to make the animation end smoothly when you have a set end point to work to. I also upped the light intensity a little just to make the effects a little more defined.
As you progress through trying out these tools never be afraid to change things up to get the exact look you want. The result of all this is the end point of the sequence here. The first sequence I wanted to do is getting the two words on screen. I also want to flip the colors so they can transform later.
I have chosen a simple animation here, with the wonder layer falling into the screen and the share layer rising into it. This is done from the position animation setting simply by altering the y axis values. So with the time cursor at the start of the timeline I set the wonder position to just beyond the screen, which turned out to be , and then set the share value at 10, so it rises up into the screen.
I also changed both color attributes to be the opposite of the end values. Wonder blue, Share white. Setting the first keyframe with the words in these positions, I then moved on 2 seconds, set a keyframe for the wonder layer back at its start position, so the animation will show the word dropping into the screen over 2 seconds. I then set a keyframe for the share layer at 3 seconds, so that one rises up and finishes the journey 1 second after the first word, to end up as we are here.
The next part of the animation is to rotate the words along the z axis, so I simply set a keyframe with a rotation value of 1, and then another when I wanted the animation to end for both layers. The next step I want to do is to apply a rotation to each character in turn, rather than the whole word simultaneously, this is achieved with the offset setting in the range selector.
The exact value here is dependent on how big your word is and so on, experiment until you get the effect you want, but what it does is to apply a delay to the effect for each character so you can stagger how they move. Then I applied my next rotation, x axis for share and y axis for wonder, with the offset in place, and repeated the keyframes to organize my animation. As we can see, creating and animated 3D text is in principle as easy as any other animation, the built in tools make creating that 3D text and the lighting very straightforward.
The complexity does come when you are planning the animation sequences itself, if you have a lot of moving objects the extra dimension can cause confusion as to where everything is if you are not careful. Plan it out, and work methodically at each timeframe to set each components where you want it to be and you will not go far wrong. If you are looking for free After Effects plugins, here we will list out top free 15 plugins for After Effects that come at the marvelous cost of nothing.
Yes, they are all completely free. Check this. Generally rated 4. Download on the App Store. Filmora Video Editor. Benjamin Arango. Most of the latest flagship phones now include a time-of-flight camera, which allows 3D depth information to be captured along with the actual 2D image. Once the 3D data has been captured, users can manipulate their photo in interesting ways, such as adjusting the depth of field with amazing detail and clarity.
It also allows for enhanced AR experiences. In a similar way, you can make your own 3D data by creating a 3D displacement map for the image you want to manipulate in After Effects. The easiest way to envision this technique is this: the furthest areas from the camera should be the darkest, and areas closest to the camera should be the lightest.
You can play with brush opacity to generate variances in gray and white. AE 3D camera settings interface. He sets up the displacement map in After Effects as we discussed earlier , but the key difference is the additional layer for the clean background plate. This will allow for achieving a bit of parallax when animating our subject. You can skip to the minute mark to see how you can adjust the background layer and add a 3D camera with a parented Null layer for animation control.
This helpful After Effects plugin allows you to quickly generate a 3D effect without the need for creating a displacement map. Additionally, it has several very useful features for building a depth-filled 3D projection, such as 3D plane generation that can give your 2D elements geometric 3D properties and create 3D surfaces.
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